Projects in the US

Co-production support for ArtsLink International Fellows to undertake projects in the US in collaboration with US non-profit arts organizations and/or individual artists

ArtsLink International Fellowships offers Fellows an opportunity to apply for co-production support to undertake projects in the United States in collaboration with US non-profit arts organizations and individual artists. Applicants must be ArtsLink International Fellows, who have already undertaken a research residency with a US host curated by CEC ArtsLink.

 Proposals must be thoroughly researched and clearly describe the project. They must include a detailed budget that indicates exact resources and expenses.

Support is provided to create new work that draws inspiration from interaction with artists and the community in the US; to establish a mutually beneficial exchange of ideas and expertise between artists, arts organizations and the local community and to pursue artistic cooperation that will enrich creative or professional development or has potential to expand the community’s access to artists and artistic practices from abroad.

The award amount will not exceed $10,000 and should not be more than 75% of the total project cost. Matching project support can be in- kind support from other project partners.

Application deadline: March 1 for projects the same year

Kosciuszko ArtsLink Fellow, musician, performer and folk tale narrator Yoanna Ayers collects and performs stories and songs of the peoples of Poland and the Caucasus. Her practice investigates how working with the human voice can contribute to the well-being of communities. Immersing into the connection between voice, body and emotions, Yoanna addresses post-trauma issues with an emphasis on women who have experienced war. She employs voice healing techniques, body movement and imagination as vehicles to overcome traumas in the world’s conflict zones.

Having spent a significant amount of time in the Republic of Georgia, Yoanna has collected stories by women of different ethnicities who went through one of the most brutal ethnic and civil wars inherited from the collapse of the Soviet Union in the early ‘90s. Those stories were presented in Yoanna’s solo performance which toured around small communities in southern Poland promoting respect for otherness and crushing the growing stereotypes about different social models, cultures, and faiths.

For her ArtsLink International Fellowship 2020 (virtual and in-person residencies), Yoanna explores voice-healing methodologies and their connection to body and emotions. Yoanna and her US host organization Found Sound Nation launched collaborations with a wide span of creative professionals in music, documentary, installation art, oral history, and somatic healing methodologies using Georgian and Polish songs and oral histories collected during the last decade in the Republic of Georgia. This collaboration explores ways of arranging and performing this music incorporating visual and oral storytelling from Georgia.



Live performance and culinary artist Mirna Bamieh is the creator and director of the Palestine Hosting Society. This live art project explores traditional food cultures in Palestine especially those on the verge of disappearing. It brings vanishing dishes back to life over dinner tables, walks, and various interventions. Food has always been a representation of time and power. It creates a significantly different atmosphere for encounters. Sharing food puts on the table aspects of hospitality, distribution, exchange, familiarity and pleasure. A shared meal can become a space of reflection on socio-political realities, attitudes, fashions, and even the suppressed elements of history.

Mirna also works with pottery using natural materials, tribal designs and early ceramic techniques that disappeared from most of the Mediterranean region and the Iberian Peninsula in the 17th century.

During her ArtsLink International Fellowship 2020 (virtual and in-person residencies), Mirna continues exploring the bacterial and fungi kingdom of fermentation. A staple link in the gastronomic traditions in the East, fermented food entered American cuisine quite recently, and with a degree of hesitation. Creating her own ceramic vessels in Deborah, Iowa as future plating for fermented foods, Mirna’s food interacts with these sculptural objects. Through performance and storytelling, in collaboration with her US host The Invisible Dog Art Center, the artist invites the audience to a dinner based on traditional food practices in Palestine and the Middle East and fermentation cultures throughout the world.



Urban environmentalist and labor rights activist Bermet Borubaeva uses trash as a medium in her work. Bermet is interested in the intersection of arts, climate science, and environmental inequality. Her practice is dedicated to the global problem of food waste and growing ecological disruptions caused by excessive urbanization. Bermet is a co-founder of Bishkek School of Contemporary Art.

Bermet draws our attention to industrial overproduction of processed food and the carelessness with which humans waste almost half of these products rather than bake their own bread or cook dinners. Global food mass production contributes to the destruction of the planet’s ecological systems, causing massive deforestation, the pollution of oceans and scarcity of freshwater. Her work on environmental inequality helps us understand that the developed world’s privileged indulgence in haute cuisine leads to the production of food waste on an enormous scale. At the same time, the food insecurity for hundreds of millions in developing countries is rapidly increasing due to the inequities brought into stark focus by the COVID-19 pandemic. The artist’s most recent intervention highlighted this issue when she lived exclusively on leftover food while working as a cook in a café.

During her ArtsLink International Fellowship 2020 (virtual and in-person residencies), Bermet and her US host organization Hyde Park Art Center, in collaboration with Chicago-based Urban Growers Collective, present a research-focused inter-city, international platform and public program which began with activities in Bishkek, Kyrgyzstan in spring 2020. The overarching project titled Trash culminates in a series of workshops and open conversations among artists and practitioners, and a public program with both in-person and virtual components to open the project to as wide an audience as possible.



Musician, poet and performing artist Ashot Danielyan advocates art as an instrument for social change, a new and unfamiliar concept in Uzbekistan. The repressive political regime in Uzbekistan over the past three decades has resulted in isolation in artistic and social life leading to severe stasis. The dominance of the academic art school inherited from the Soviet past ensures that the local art community follows conformist self-censorship and aggressively rejects new ideas or socially engaged art practices.

Ashot’s project A Man With The Stool addresses many of these issues through performance, poetry, music, photography and video. Having introduced the project in the major cities of Uzbekistan, Ashot is planning to tour it around Central Asian republics to build cultural bridges among these disconnected nations.

During his ArtsLink International Fellowship 2020 (virtual and in-person residencies), Ashot met professional and civic communities and explored cross-cultural experiences and socially engaged art practices which emerge from poetry, alternative music and theater. Sharing interest and practice in Japanese history, language, culture, experimental poetry, performance, and book-making, Ashot and his US collaborator Mami Takahashi of PICA, launch a series of poetry readings, artist talks and conversations. The multi-city cultural exchange resulted from Ashot’s and Mami’s virtual residency in 2020 and takes place at PICA and other cultural and educational institutions in Portland, Seattle, San Francisco and Chicago in 2021.


Embracing ideas of consumption, gender, love, power, protest culture, experience of war, plants and dogs, Alevtyna Kakhidze is co-founder of a residency program for international artists in the village of Muzychi, The Muzychi Expanded History Project. Having grown up in the coal mining Donetsk region of Ukraine, she has experienced the country’s abrupt and chaotic changes from the days of the USSR to the post-Soviet imbalanced environment, including the current undeclared war between Russia and Ukraine.

To raise awareness of climate change and more sustainable living in the era of global shifts in society, especially in post-pandemic times, she has initiated the laboratory Adult Garden to observe coexistence and the dynamics of plants freed from the gardener’s intervention.

During her ArtsLink International Fellowship 2020 (virtual and in-person residencies), Alevtyna and her US collaborators embark on a garden-focused project that centers on critical observation of organized experimental gardens and natural conservation areas. Using aerial drone photography, stationary cameras, and analysis of plants’ biochemical composition, the artists and scientists from University of Kansas study and learn from the competition and collaboration observable among plants, but also between plants and living organisms such as insects and birds.  Case studies focus on the interaction between native and non-native (including invasive) plants, and explore the cases when a plant native to the US became invasive in Ukraine and vice versa. The project also includes a computer-assisted analysis of gathered data. Beyond science, the artists engages with ethnobotany and learns about traditional Native American practices of gardening and medicinal plant use.



Artist and activist Mishiko Sulakauri’s practice focuses on engaging in deep dialogues with local communities. His research explores critical issues that transcend histories, borders, power dynamics, environmental and social struggles. His work questions systems of consumption, production, and human interaction recognizing our failure as a global society. His most recent project, Arcadia Archeological Museum, reflected on the historic neighborhood Arcadia in Odessa, Ukraine where the authorities allowed developers to destroy one of the unique green zones in this city by the Black Sea.

His concerns with cross-border experiences took Mishiko to Ossetia, the disputed territory in the South Caucasus recognized by most countries as part of Georgia, yet currently occupied by Russia. His work there sought to build bridges between the local community and the land. Finding a unique house about to be demolished, a local poet wrote a poem dedicated to this old work of architecture. “I promise you… an old dream will come again” – this extract from the poem was written as a mural on the house’s wall.

During his ArtsLink International Fellowship 2020 (virtual and in-person residencies), the central idea of Mishiko’s research project into both environmental and sociological issues was focused on the trans-border experience and how it affects different species – people, insects and plants. Mishiko, in collaboration with his US host organization Unlisted Projects, engaged with artistic, scientific, and gardening communities in the construction of a wall near the South Texas border with Mexico. 

Unlike the populist idea of isolationism, this wall’s purpose was to create a transitional oasis for the monarch butterflies, offering a regenerative habitat for their migration from Mexico to Canada. The wall-installation cradles milkweed plants, now an endangered species due to genetic modification of this poisonous yet decorative plant. The natural milkweed is the only source of nutrients for the monarch larvae. The installation went up in October 2021 in different locations in and around Austin.



Slovenian singer, songwriter and musician Katja Šulc works with poetry and music.  Her expression is focused on setting poetry to music and storytelling through songs. Her work embraces contemporary folk, exploring modern and traditional poetry and endangered languages and cultures. Katja’s recent album KAMLISAJLAN (2016) is based on Rromani poetry from the Balkans and Eastern Europe, while her new album CARICIAS (2021) pays tribute to Mexican poetry, including traditional and indigenous poems.

During her ArtsLink International Fellowship 2020 (virtual and in-person residencies), Katja researches Native American culture, history, values and beliefs. She is dedicating her residency in the US to foster a deep dialogue with Native American artists and communities. Katja draws a parallel between Native American culture and Pre-Christian culture in Slovenia, the Old believers, the secret pagan society that existed in Slovenian remote places until late 1960’s. The parallel lies in a strong connection to nature and in deep respect for natural forces.

Katja Šulc and her US host organization Institute of American Indian Arts pay homage to Native American heritage. Fusing traditional and contemporary art, the project intertwines with Native American artists’ culture, focusing on human values and ecology issues. Katja’s project is based on artistic collaborations, poetry, performance, visuals and composition, planned to be released during the International Decade of Indigenous Languages (UNESCO, 2022 – 2032).



Artist and curator Ann Mirjam Vaikla works at the intersection of art practice and arts management. With a background in the performing arts, Ann’s work includes scenography and directing. She served as the Director of the Narva Art Residency (NART), a unique cultural platform facilitating residencies, art exhibitions, talks and educational workshops in Narva on the Estonian-Russian border.

During her ArtsLink International Fellowship 2020 (virtual and in-person residencies at Triangle Arts Association and Grand Central Art Center), Ann Mirjam’s research departs from her own ancestry touching upon the notions of migration, embodiment and body as an archive. It incorporates collecting imagery from various sites (waterfronts of New York City and Jersey City and Port of Los Angeles) and meetings with artists, curators, and historians and other professionals in the field. The collected information and materials will be used for a future art project with the working title Where The Fun Never Sets.



Cultural manager, researcher, consultant and theater performer, Iman Zaki co-founded Reflection for Arts, a training and development organization in Alexandria, Egypt in 2007. The organization provides space and support for visual and performing artists and promotes the role of the arts in community development. Her work experience ranges from cultural management and facilitation to curating and producing work that investigates oppression, sexual harassment and domestic violence among many other social issues, with a focus on personal transformation and the use of theater and other art practices as tools for social change. Deeply concerned by governmental censorship, a lack of adequate funding and the rejection of contemporary methodologies in local academic art schools, Iman has recently opened a school for emerging artists.

During her ArtsLink International Fellowship 2020 (virtual and in-person residency), Iman conducts her research in the United States’ heart of independent theater, the legendary La MaMa Experimental Theater Club. Working closely with Artistic Director, Mia Yoo, Iman explores the unique theater scene of New York’s East Village and beyond. She has direct access to artifacts documenting the life of the theater’s founder, the beloved Ellen Stewart. She also explores La MaMa’s high-tech Culture Hub and The Gallery. As a cradle of the off-Broadway theater, La MaMa E.T.C. opens broad opportunities for Iman to expand her professional network, create new connections and develop further cultural exchanges between New York and Alexandria, Egypt.


Eligible Countries

Applicants must be citizens of one of the following countries:

Afghanistan, Albania, Armenia, Azerbaijan, Belarus, Bosnia & Herzegovina, Bulgaria, Croatia, Czech Republic, Egypt, Estonia, Georgia, Hungary, Israel, Kazakhstan, Kosovo, Kyrgyzstan, Latvia, Lebanon, Lithuania, Moldova, Mongolia, Montenegro, North Macedonia, Palestine, Poland, Romania, Russia, Serbia, Slovak Republic, Slovenia, Syria, Tajikistan, Turkey, Turkmenistan, Ukraine, Uzbekistan