Her project was to support a month-long teaching residency and series of talks in connection with the Fine Arts Program at Parsons The New School for Design. Djurdjević advised graduate and undergraduate students, guided by the integration of contemporary political discourse and technically rigorous painting techniques she employs in her own work.

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To support Dukić’s participation in Kaleidoscope of Pacific Standard Time (KPST), part of The Getty Research Institute’s efforts to highlight the work of Southern California artists from 1945 to the present. Dukić recreated a performance piece from his mentor Nan Hoover’s oeuvre. The performance was presented in several venues throughout California as well as adapted for local and internet broadcast.

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The project was support Franceschi’s efforts to establish the first Overseas Headquarters of the Virtual Museum of Avant-Garde Art. In an effort to expand the usefulness of this virtual archive and the knowledge of avant-garde art from former Yugoslavia, Branceschi developed a series of meetings, lectures, and workshops with Residency Unlimited in New York City. A second Overseas Headquarters was stablished in Istanbul in 2012.

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The project was to support Hudec’s work 1000 Small Hurts, which was included in the exhibition Voices from the Center at Chicago’s threewalls gallery. This multimedia piece included drawings, texts, photographs, and a reconstruction of the Soviet-era car Skoda 1000, in an attempt to reclaim a memory constructed from a family photograph outside of his own experience.

The project was to support Kolokol’s collaboration with the students and faculty of the Herb Alpert School of Music at CalArts to create a multi-vocal electronic sound piece that incorporated music, poetry, theater, and electronic processing. Kolokol’s residency also included mentorship sessions and the premiere of his new work in Los Angeles.

The project was to support the research and staging of Timbuktu, an adaptation of Paul Auster’s novel transformed into a first-person account from a dog that also addressed wider social issues such as homelessness and civic awareness. The play premiered at HERE in New York in 2012.

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Her project was to support a series of master classes on ancient Balkan vocal techniques collaboration with Kitka Women’s Vocal Ensemble in Oakland, CA as well as a number of public performances in the Bay Area.

The project was to support the creation of a site-specific drawing series that dealt with the cultural specificity and difficult translatability of humor which will be exhibited in Voices from the Center at Chicago’s threewalls gallery. Visitors were invited to contribute their own observations on humor from a Western perspective, which were intended to be integrated into future work shown in the Czech Republic and Slovakia.

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Her project was to support a the research and documentation of performance poetry in the US including at the Bowery Poetry Club in New York City, the National Poetry Slam in Cambridge, MA, and the birthplaces of slam in Chicago. The research was intended to support the growing performance poetry network in Budapest and provide material for a documentary video series.